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80 pulls you in on an audio journey learning of the crack epidemic, co-in-tel pro, and the “Ronald Reagan Era” to name a few, and the drawbacks it had on the lower income community. Coming a year after his last mix tape, his debut album proved to be a sonic shift in paradigm. It would have been too easy to bask in negativity, or join every other rapper in celebratory chants of wealth, but Kendrick proved to be on a mission with this project. When Compton was mentioned back then, and maybe a little today, there was this misconception of extreme violence, undying pride, and blatant ignorance. A more appropriate analogy would be like getting to the playoffs the first year you get drafted. To say a home run would be an understatement. The follow up to OD and the first impression to the larger world came in the package of Section. Already proving himself as a expert lyricist on covers on the likes of Lil Wayne and Lupe Fiasco, Kendrick stays faithful to his carving his own lane with mixtures of jazz band instrumentation, some G-funk, mixed with his almost impeccable flow. The project ends with “Heaven and Hell” which entails a quick contrast on how both heaven and hell just may be able to molded by perception and the decisions we make whilst still on earth.Īn impressive project to say the least, but there was much anticipation in the air on which direction the Compton emcee would go. Kendrick’s frustration also deepens on tracks “Average Joe” and “Barbed Wire”, tracks reflecting being a normal kid dodging danger and how the city can tempt one’s desires by the obstacles put in the way, respectively.
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Songs like “Cut You Off’ reflect on how peers can be distracted by menial decisions that don’t amount to anything substantial long term. The entire project bleeds an artist who yearns to be on the top of his genre, but you notice apprehension about his environment and the outside pressures deviating him from his desires. This track lay home to a mix tape named Overly Dedicated which is critically acclaimed as an underground classic. The story telling was extremely sobering, but the delivery was out of this world. Little did I know my life would be changed forever.Īs the audio poured, I was in heaven. I happened to be on YouTube, and I stumble across a song by the name of Ignorance is Bliss. Now back in 2009, Livemixtapes, DatPiff, HotNewHipHop, and occasionally YouTube were great mediums to find emerging artists striving to get noticed on the larger scale.
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Lil Wayne was the undisputed rap champion with what seemed little competition, but there still was a yearning for something new. Hip Hop was led by the Carter III, which seemed to be the soundtrack for the whole summer. I just graduated high school and was yearning for a summer gig to make some extra money. It has been almost a decade since my ears were first graced with the melodic storytelling of the soon to be “best rapper alive.” I remember so vividly the summer of 2009.
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